Carthage Art History Carthage Art Places Good News

Legacies in Public Spaces

Carthage’s artists have left legacies in stone, bronze, canvas, and other mediums across the area and the nation. Two of the most prolific in their time were Bob Tommey, who died at age 92 in 2020, and Bill
Snow, who died in 2016 at the age of 77. Tommey and Snow left legacies as art teachers to hundreds of aspiring artists throughout their

“Many artists would not be where they are today if it weren’t for Bob Tommey,” said Sandy Higgins, who worked with both artists on the Midwest Gathering of the Artists for decades. “He was a wonderful friend and a wonderful inspiration to all artists. He helped me found artCentral and taught so many young people to be artists at that old building on Central Avenue.”

“He’s been generous sharing his talents and his time and energy,” said Robin Putnam, a Carthage artist who considered Bill Snow a mentor. “He would show you how to use the tools, then let you stretch your imagination. He might go by and whisper in your ear, ‘I wouldn’t do that.’”

They also left legacies in their works throughout the area. Sometimes Snow and Tommey worked together, as they did in 1988 to produce the larger-than-life sculpture of Naturalist and Carthage Native Marlin Perkins, which has stood for more than three decades in Carthage’s Central Park. Perkins was a pioneer in producing nature and wildlife shows on television, serving as host of the long-running show Mutual of Omaha’s Wild Kingdom, and he was born in Carthage in 1902. That same year, Snow produced a bust of Tommey that now sits in the Jasper County Courthouse in Carthage, complete with a toothpick sticking out of Tommey’s teeth.

One of Snow’s works even survived direct exposure to an EF-5 tornado. On the south side of the hill at Mercy Park in Joplin, the site of St. John’s Regional Medical Center before the Joplin Tornado of May 22, 2011, sits a 24-foot cross that once graced the entrance of that hospital. Higgins told the Joplin Globe when Snow died in 2017 that she was surprised at the sheer scale of Compassion, as Snow named the Cross when he first showed it to her. Compassion, which survived even as the hospital was devastated, is now a landmark in the park,
which honors the 161 people who died in that terrible storm.

The E.L Dale Memorial Garden, located just east of the Carthage Public Library, includes more works by Snow, including a bust of the late Carthage Press owner and publisher E.L. Dale and a statue of Alice from the Alice in Wonderland story.

At the Joplin Regional Stockyards on Interstate 44 southeast of Carthage, stands one of Snow’s largest works, a 10-ton, 20-foot-wide slab of Silverdale Limestone, bearing the head of a Texas Longhorn. It was moved from his workshop in Carthage to a pedestal outside the stockyards in July 1995.

Bob Tommey was best known for his paintings and drawings of scenes from the old west, but he dabbled in sculpture as well. His canvases featuring paintings of scenes from the American frontier are scattered across the country in private and public collections, but sculpture is what really grabbed his attention. Tommey talked about sculpting in a 2015 interview with The Carthage Press. “I always wanted to be a sculptor, but I had to paint so I could afford sculpting, so I did
everything, painting, teaching, and all that so I could do sculpting,” Tommey said. “I was sculpting on the side, but I never could make it a full-time thing. I didn’t know how to sell it or how to make money at it. I couldn’t understand how these guys who are just sculptors had a big
table full of sculpting and they were selling it. I’d rather sculpt than paint anyway, it’s more fulfilling. I guess you’d call it the fourth dimension, it’s three-dimensional and I get amazed at the engineering that I have to do to make it work.”

Aside from the Perkins sculpture in Central Park, one of Tommey’s most visible works is seen by thousands of Carthage students as they come and go to work every day. The painted bronze Tiger, presented to CHS in 2010, has become a backdrop for many a selfie or portrait over the years. Sandy Higgins, who helped raise funds for the Tiger, was ecstatic at the time of its installation on a pedestal in front of the new high school on River Street. “It’s beautiful,” Higgins said. “It’s the happiest day I’ve had in two years. I’ve had some personal
tragedies at home and this has just made my day. It’s wonderful for Bob and it’s great to see it here.”

Famed Artist Bob Tommey has spent hours touching up the painted coat of the bronze tiger since it arrived from the foundry a few weeks ago. Tommey said he decided to paint the sculpture because he wanted it to look different from any other bronze anywhere. John Hacker / Carthage Press
Carthage Art History Good News

‘Forged in Fire’ Mural Stands as a Tribute to Lowell Davis’ Love for Home and Nature

Dedicated during the nation’s bicentennial celebration, Lowell Davis’ sweeping mural “Forged in Fire,” on the south wall of the east wing of the main floor of the Jasper County Courthouse, has wowed visitors and school children more than four decades.

Push the button under the mural; a courthouse visitor can listen for about four minutes as Ron Peterson Senior’s booming baritone radio voice describes the scenes from left to right as they tell the history of Jasper County and Carthage in vivid colors and detail.

Auctioneer and former Presiding Jasper County Commissioner Danny Hensley said this mural was one of Lowell Davis’ most significant contributions to Davis’ hometown. Hensley used to give tours of the Courthouse to thousands of school children a year, and the mural was always a highlight of the tour. “I think anyone who goes through Carthage and takes a tour of the town if they don’t come up and see this mural, they’ve missed a lot,” Hensley said. “It’s just a really neat history starting back with the Indians and coming on forward. It tells the story of Carthage and Jasper County. I’m just really proud of it.”

Davis was proud of the mural too. He used to come to the Courthouse to see friends and conduct business, and he’d pause by his creation and look it over and talk about it to anyone who happened to be around. Some recognized him as the mural’s creator, and others didn’t, but he was willing to talk to all of them when he was there.

Lowell Davis passed away on Nov. 2, 2020, at the age of 83, at his home in the community he created northeast of Carthage called Red Oak II and is buried in the whimsical cemetery in a plot he designed himself.

About the mural

The “Forged in Fire” mural was dedicated as “a Bicentennial Gift to the City of Carthage from the Soroptimists International of Carthage” on Oct. 10, 1976. It was a year of celebration to commemorate 200 years after the Declaration of Independence was signed on July 4, 1776.

A 24-page booklet printed as a program for that mural dedication said the artist, Lowell Davis had an idea for a mural in the Jasper County Courthouse in the 1950s as a 19-year-old Carthage native returning from service in the United States Air Force.

An article in the program by Carthage Press reporter Neil Campbell said Davis made drawings of a proposed mural back in the 1950s. He was to rediscover those drawings in 1976 when the Soroptimists first approached him about the project.

“It would be the group’s bicentennial contribution to the city, and they wondered if Davis might be interested,” Campbell wrote in the article. “The club had also been ‘kicking around’ the idea of a mural for several years. Only then did the organization’s idea and the artist’s dream begin to merge. A crash program of research followed, using The Press files as primary source material. Care was taken that ‘every face, every building, every tombstone was faithfully rendered.”

Lowell Davis article
The Carthage Press article featuring Lowell Davis, artist of the Forged in Fire Mural

A photo in The Carthage Press from Oct. 8, 1976, shows Davis inspecting the mural with a young boy, Jason Scott, then 8, who served as the model for the young boy and his dog listening to an older storyteller in the lower right corner of the mural.

The caption of the photo says George Guinn, then living in the Drake Hotel, served as the model for the storyteller and names Artie Baugh Jr., as the model for the Osage Indian and Sibyl Fielder, Diamond, as the model for Annie Baxter on the left side of the mural.

The Oct. 10, 1976 dedication of the mural, according to the booklet, was headlined by then Missouri First Lady Carolyn Bond and featured local political figures of the time, State Rep. Robert Ellis Young, State Sen. Richard Webster, and U.S. Congressman Gene Taylor in various roles.

Lowell Davis is with political figures
Lowell Davis meets with local politicians Robert Young, Richard Webster, and Gene Taylor.

Ruth Evans, then president of the Soroptimist International of Carthage, read the welcome;  Presiding Jasper County Judge Byron Fly led the Pledge of Allegiance; Carthage’s Ida Ruth “Platt” Locarni, described as a mezzo-soprano in the program and accompanied by Frances Pierce, sang “This Is Our Country” and Let There Be Peace on Earth;” Dallie Miessner, the Chair of the Mural Committee, introduced Davis; Harriette Murray, the 1975 president of the Soroptimists, presented the mural; and then-Mayor Byron C. Hallam accepted it.

Campbell’s article said the mural became an “around-the-clock endeavor” and said Davis suspended all his other work to devote full time to the project.

“A mural is to the artist, at least to this artist, as Carnegie Hall is to the musician,” Davis said in the article. “I truly believe this is the ultimate challenge.”


Other works and honors

On June 8, 1937, Davis was born in Lawrence County to Berton Clayton Davis and Nell Marie Davis; Lowell Davis grew up in Red Oak, MO, near the Lawrence-Jasper County line and moved to Carthage during his elementary school years.

He married Rose Castillo Davis in 2003 and has three daughters and three sons from previous marriages: April Davis Brunner, also an artist, Heather Davis, Wren Davis, Phillip Davis, Jeb Davis, and Aaron Davis.

He attended Mark Twain School and Carthage High School.

Davis described his time at Mark Twain school in an interview in September 2017 when the school celebrated its 100th birthday.

“I came from a country school,” Lowell Davis said. “I was in the fifth grade, and I went to Mark Twain when we moved to Carthage. The painting I did for the school’s 75th birthday, that’s me outside the school with a bicycle, and homemade clothes, and a $5 bicycle, and I’m looking at the school. It’s just so big compared to the country schools I was used to going to. There was a teacher here; she noticed my talent. It was Mrs. Esterle, she gave art lessons here, and she paid my way to taking art lessons for three years, so I dedicated that painting in there to her.”

Lowell Davis created a sculpture for Mark Twain School’s 100th birthday that still stands near the Main Street entrance to the school.

Davis served as an airman in the U.S. Air Force, then made a name as a commercial artist while living in Texas in the 1950s and 1960s.

A short Carthage Press article from Jan. 10, 1969, which may have been the first written about Davis, said he was “gaining considerable nationwide attention for his paintings.”

In 1974 he moved back to Carthage, Missouri, bought Fox Fire Farm northeast of Carthage, and in 1987 started buying homes and buildings from his hometown, Red Oak, Mo., and created Red Oak II, a small community on a loop around a tiny lake.

“I don’t believe that an artist should be restricted to use only paint of clay,” Davis wrote on the Red Oak II website, “It can be anything including junk, wood, even an old building. To me, Red Oak II is a combination of a painting and a sculpture, and it is just made from things that someone else threw away.”

In his final years, Davis created dozens of sculptures at businesses and other institutions around Carthage.

In 2016, when talking about one of those sculptures he created at the Jasper County Road Barn on the corner of North River Street and Missouri Highway 96, Davis said he couldn’t paint anymore because of arthritis. Still, the sculptures “got his adrenaline pumping again.”

His 3-D art with colorful names is scattered across Carthage, including “the Crapduster,” a whimsical biplane in front of the Flying W. Convenience Store at Highway 96 and County Route V; the piece called “Ain’t No Wonder His Wife Left Him,” at Jackson Tire, 614 E. Central, featuring an antique car and a steel image of a woman changing the tire while the man sits in the car; or the work called “Bad Hair Day,” in front of the Elite Hair Designs salon at 109 S. McGregor Ave.

Lowell Davis said he hoped his 3-D creations would be one more thing to put Carthage, Missouri on the map.

“They’re a lot of fun to make,” Davis said. “I was here when they put it up there. My son is really strong, so he can get the steel up there. When I was born, I had the choice of being good-looking or strong, and that day, I wish I had picked strong.”

In 2019, the community recognized Davis with two big honors: he was named Artist of the Year at the Carthage Chamber of Commerce Annual Banquet in January 2019, and he was named to the Hall of Carthage Heroes, and a plaque with his biography was placed on the wall at the Fair Acres Family Y in November 2019.

Carthage Chamber of Commerce 2019 Banquet
Dina Thomas, Andy Thomas, Lowell Davis and Rose Davis at the 2019 Carthage Chamber of Commerce Annual Banquet on Friday, Jan. 18, 2019. John Hacker

Another honor came his way when he became part of a huge new mural, created by one of his students, Andy Thomas, on the east wall of the McBride Building on the southeast corner of the Carthage Square.

Thomas said he got to show Davis his image that would be included in the mural before Davis died.

Carthage Art Events Good News

2022 Calendar of Events & Programs

Carthage Council on the Arts Concerts in the Park 2023

Concerts in the Park is an outdoor event set in the relaxing atmosphere of Carthage Central Park. Patrons are invited to bring lawn chairs, blankets, and picnic foods and drinks to enjoy a night of music with friends, family, and the community.

June 24, 2023
Eddie Valen Band
2 muscians playing guitarIf this name sounds familiar, you may have seen it on Vegas marquees with the likes of Sha Na Na, Tom Jones, The Coasters, and others. The band has also appeared in Branson with a personal invitation from Tony Orlando. Eddie’s current 6-piece lineup consists of very talented musicians that have performed with some legendary acts.The evening’s playlist will consist of classic country, hits from the 50s and 60s, and Eddie’s original sounds as featured in his musical catalog.

July 22, 2023
Jim Hunter & the Mellotones
Jim Hunter’s Mellotones have been a staple in the Four-State Area since 1980. From the time he blew his first note on a saxophone, as a fifth-grader, he was hooked on jazz and the big-band sounds of the ’40s and ’50s.

August 19, 2023
Blister Soul and Splitfinger Rufus

Blister Soul is a four-piece rock & roll band from Joplin, Missouri. Their debut EP, Sign of the Times was released June 18, 2021. The band’s lineup was formed in the summer of 2017 and includes Greg Ballew, Jason Otero, Bryan Bridgford, and Tony Otero. Musical influences include The Drive-By Truckers, Vigilantes of Love, Tom Petty & The Heartbreakers, and Starflyer 59.

splitfingr RufusSplitfinger Rufus is a 3piece band from NE Oklahoma featuring rock, alternative, and country party classics from the 90s and beyond.

Carthage Art Events

Missouri 2021 Ice Cream Social

The Bicentennial of the State of Missouri is Tuesday, August 10! 

Celebrate Missouri 2021 with Scoops Across Missouri, an Ice Cream Social in communities all over Missouri. Ice cream is the state dessert of Missouri; Carthage Council on the Arts partners with Carthage Historic Preservation to bring historic treats to Carthage Central Park. Activities are planned for the whole family. Live music, lawn games, legendary tales of Marlin Perkins, learn about the CLIO program, and enjoy FREE ice cream treats. 

Missouri 2021 Ice Cream Social

Tuesday, August 10

5 pm to 7 pm

Carthage Central Park 714 S. Garrison


We appreciate and recognize the area Braum’s for being the official ice cream provider at the Joplin, Webb City, and Carthage Missouri Bicentennial, Ice Cream Socials.

Carthage Art Events

Dr. G and the Tall Man

Carthage Council on the Arts brings Concerts in the Park to Carthage Central Park on the third Saturday of the months of June, July, and August. Patrons are encouraged to bring blankets, lawn chairs, snacks, and drinks to sit back and relax for a night of music on the lawn under the cooling canopy of trees at Carthage Central Park on 6th and Garrison across from the Fire Department. Concerts begin at 7 pm in the evening. 

Dr. G and the Tall Man come to the stage at Carthage Central Park on August 21 at 7 pm. 

Carthage Art Events

Concerts in the Park: Sober As a Judge

Carthage Council on the Arts brings Concerts in the Park to Carthage Central Park on the third Saturday of the months of June, July, and August. Patrons are encouraged to bring blankets, lawn chairs, snacks, and drinks to sit back and relax for a night of music on the lawn under the cooling canopy of trees at Carthage Central Park on 6th and Garrison across from the Fire Department. Concerts begin at 7 pm in the evening. 

Sober As a Judge comes to the stage at Carthage Central Park on July 17 at 7 pm. 

Good News

Thank You Carthage Community Foundation Spring 2021

Funding for music students and communication for arts in Carthage.

The Carthage Community Foundation awarded 16 agencies a total of $61,125 in May 2021. Carthage Council on the Arts is proud to be among the awardees. The funds provided will allow the Council on the Arts to provide additional services to the art community in Carthage with piano scholarship assistance and increased art communication efforts in the community. 

Piano Scholarship Assistance is an exciting new opportunity coming to Carthage this fall. This program was developed by past president, Robert Denning, to provide emerging talents with an opportunity to pursue additional lessons. The funding will work in cooperation with local music teachers to assure that students can pursue their musical interests and attend regional workshops to improve their skills while minimizing the economic strain of those pursuits. The assistance fund granted by Carthage Community Foundation will be matched with Carthage Council on the Arts donations to provide a significant impact in performance training to Carthage talent. 

The Art Communication funds will be matched by labor and talent from the Carthage Council on the Arts Board of Directors to provide better promotions of art in Carthage. The program will support website design and technology for a website for Carthage Council on the Arts. The website will support local art partners and organizations to highlight art events, art places, and art history in Carthage. A portion of the funds will directly support individual artists by paying a fair wage for blog posts, photography, and additional content used on the site. Carthage Council on the Arts is also working with media to provide workshops that will train artists, performers, businesses, and nonprofits to better promote their efforts through media relations, and the new website will also host a catalog of musicians, performers, artists, and other talents that are available for hire in Carthage. 

If you have additional ideas to support and promote art in Carthage, please contact us to reach out!

Carthage Art History

Hometown Art: Andy Thomas is Famous Nationwide for Paintings, but Art Displayed at Home is Special

By John Hacker

Andy Thomas has become famous across the country for his paintings of western scenes and noted historical events — some of his art brings in six-figure bids at national art auctions in Montana and other places. But the paintings he has on display here in Carthage, his hometown, are special, Thomas says. They mean more because the people admiring them are his friends, neighbors, and people he grew up with. National fame, like the notoriety he’s received on occasion for his series on American presidents grouping present-day presidents with their historical predecessors in scenes playing poker or relaxing at a bar, is fleeting, Thomas said. But local recognition is more satisfying and permanent. “It was cool a couple of years ago when I was in the national news, but that’s very short-lived and I’m just momentarily in people’s minds when that happens,” Thomas said. “In your hometown, it’s a little more permanent, and it means more. I was surprised how excited I was working on the big mural we just did and how enthusiastic I got about doing the artwork, the theme of it, and the notoriety, that’s pretty fun too.”


Cherry’s and the Civil War Museum

People don’t have to pay six figures to see Thomas’ art in Carthage. In one case, one doesn’t even have to get out of a car to see his art bright as day.

A shopper can purchase an Andy Thomas original painting at Cherry’s Custom Art Emporium on the Square, and he or she can browse the extensive collection of art there, including several Andy Thomas originals.

Some of Thomas’ first works are on display in very public places, including Carthage City Hall and the Battle of Carthage Civil War Museum on Grant Street just north of the Square. The big mural depicting his impression of the July 5, 1861 Battle of Carthage as the fight crossed the Carthage Square is on display over the desk as one enters the museum. Thomas said that was one of his first works right after he quit working at Leggett & Platt to focus on art full time. “Bob Tommy came to me and said he had said he would do it but he really didn’t want to and thought I would do good at it,” Thomas said. “It was a great opportunity for me.”

Thomas said working on that mural reinforced in his mind the importance of painstaking research. Retired Jasper County Records Center Director Steve Weldon and Carthage historian Steve Cottrell, who authored a book about the Battle of Carthage, helped him suss out the details of the battle from the limited accounts available in 1992. “Thank God I had those two because one of the big things on that painting is that it’s odd that the Union is wearing gray,” Thomas said. “They said history was history and make sure you show it the way it was or it’ll haunt you. They had other details, Steve Weldon gave me the dramatic understanding of what the soldiers were doing and Steve Cottrell was very technical, he let me know exactly what happened, so I had two great mentors to help me do it the right way.”

Thomas said there were limits to what the research could uncover, and he had to create some details based on best estimates. “Steve Cottrell would say most likely scenario would be this and this is why we believe that but there are a lot of things you really don’t know, you have to make an educated guess,” Thomas said. “At some point on the painting you have to show either a white shirt or a red shirt and you make your best guess, but before that, you do all the research you can.”

Carthage City Hall

About a year later, in 1993, Thomas was approached by then Carthage Mayor Herb Casteel about a series of paintings he wanted to see in Carthage’s then-new city hall on the east side of the Square. The project, funded by the Carthage Soroptimist Club, was a series of six works comparing Carthage’s early history to that of its overseas predecessor.“Herb had said isn’t it odd that there are several parallels and it is our sister city, the ancient city of Carthage in Tunisia,” Thomas said. “There really were some interesting parallels. One, both cities were founded on a hill which is just almost natural but in Tunisia, definitely for defense, and here just because it seemed natural. Also, both near bodies of water, Spring River was very important at the time for commerce and Tunisia was on the Mediterranean Sea. Two, both were destroyed, Carthage was utterly destroyed during the Civil War, and Carthage, Tunisia was eventually destroyed during the Third Punic War. Then three, they both rebuilt.”

These works, along with signs explaining each painting, are on display with artifacts sent to Carthage from its ancient sister city, in the lobby of City Hall, 326 Grant St. Thomas said he looks back fondly on those early works that helped keep his family fed and helped him hone his skills as a storyteller with a paintbrush. “It was a lot of fun, I still have pictures of me wearing a skirt, for the pleated Roman uniform,” Thomas said. “That was when I used more photographs when I could and I’ve got pictures of my wife Dina and daughter Tria as a little girl dressed for the painting of the destruction of Carthage. You think back, man, that was a long time ago, and yet it doesn’t seem that long ago.”


Fast forward almost 30 years and Thomas has built a successful business using his skills as an artist, but one of his biggest jobs was still to come. In 2020, Vision Carthage Director Abi Almandinger approached Thomas with the idea for a mural on the blank brick wall of the McBride Building on the southeast corner of the Square. At 27 feet tall and 44 feet wide, Thomas said this was by far his biggest work, although he didn’t have to actually paint the mural on the wall himself, and it’s easily viewable from a car.

He created the individual people and scenes depicted on the wall in his studio, then the final paintings were assembled digitally by Whitehill Enterprises, Joplin, then the finished image was sent to Spain where it was cast on 459 ceramic tiles, each 19 inches square and weighing 14 pounds. Ceramic tiles were used to ensure durability and make sure this mural lasts long after others painted directly on walls have faded in the sun. Thomas said he used different artistic techniques to create the scenes in the mural.

The mural includes seven Carthaginians who have gone on to do big things and depicts them in a sort of fantasy style as children playing in a way that hints at what would make them famous as adults. Then it includes pictures of them as adults. The seven residents honored are Hall of Fame baseball Pitcher Carl Hubble, Television Host and Zoologist Marlin Perkins, Former Jasper County Clerk Annie Baxter, Hollywood Leading Man David Newell, Ragtime Composer James Scott, Astronaut Janet Kavandi and NFL Football great Felix Wright.

Finally, along the left edge of the mural, he added a scaffold that makes it look like six of the artists, including himself, who made Carthage famous as an arts community are working to complete the top left corner of the mural. The artists are Bill Snow, Thomas, Jerry Ellis, Bob Tommey, Lowell Davis and Sam Butcher. Thomas completed the mural in early 2021, and it was installed in April and dedicated in May.

Thomas said as an artist, he watched closely as the mural took shape on the wall of the McBride building.

“By far, that was the biggest thing I’ve ever created,” Thomas said. “It was a little scary at first. I saw it going up and I thought, oh my gosh, the colors are so dull, but it turned out when they added the grout it left a film and they hadn’t removed that yet. The last time I went up there, I looked at it and I know the colors are different from the print on paper, but I was satisfied with the way it looks.”

Other works

Another work by Thomas that doesn’t have unfettered public access is the mural in the lobby of the Carthage R-9 Auditorium on Main Street. The public’s best chance to admire that work is during the activities surrounding the Maple Leaf Festival. The mural features scenes from Carthage High School history up to the 1990s. Additional works, secluded from public view, hang on the walls of the corporate headquarters of Leggett & Platt where Thomas once worked. The works line the halls and mirror the history of the company and industrial initiative in Carthage. 

People traveling to the historic battlefields that dot the four-state region can also see Thomas’ work.

  • The Pea Ridge National Battlefield in Northwest Arkansas features a series of a dozen paintings the park commissioned Thomas to do depicting the stages of that 1862 battle that secured Missouri for the Union side.
  • Thomas created a painting of the Civil War Battle at Wilson’s Creek, which happened in the late summer of 1861, that was on display at that battlefield’s visitors center just east of Springfield.
  • His work is also on display at the Prairie Grove Battlefield State Park in eastern Arkansas. This battle, in December 1862, was the last major action in Northwest Arkansas in the Civil War.